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This EP was super exciting for me as I have always been a massive fan of Jasiah - we connected immediately artistically and it was such a fun process in the studio making these songs with him. In FULL EFFECT you’ll hear i reference Jasiah in the line “went from bumping case 19, now look where i’ve ascended” as I used to listen to that track on the bus travelling to university. It was cool to see things come full circle, and I’m sure my younger self would be stoked.
This EP was super exciting for me as I have always been a massive fan of Jasiah - we connected immediately artistically and it was such a fun process in the studio making these songs with him. In FULL EFFECT you’ll hear i reference Jasiah in the line “went from bumping case 19, now look where i’ve ascended” as I used to listen to that track on the bus travelling to university. It was cool to see things come full circle, and I’m sure my younger self would be stoked.
A small compilation of songs I made alongside Dozy Doe - some were made years before release and others just months. Some of the songs I recorded in his sleepout while he wasn’t home, I’m pretty sure his parents could hear me out there screaming. A very organic tape made at a very interesting point in my life.
A small compilation of songs I made alongside Dozy Doe - some were made years before release and others just months. Some of the songs I recorded in his sleepout while he wasn’t home, I’m pretty sure his parents could hear me out there screaming. A very organic tape made at a very interesting point in my life.
This project was entirely produced by ISVVC - I have no idea where he went but that guy is fucking amazing. If you’re reading this ISVVC hit me up. This project is loosely based on the 1999 Columbine shooting - I found myself morbidly curious and falling down the rabbit hole of this event and the enormous ripple effect it had on gun violence in general. It is written from the self loathing, pathetic, and juvenile perspective of the shooters as they plan, carry out, and suffer the consequences of their actions. This project was my first step in to a more linear approach to story telling.
This project was entirely produced by ISVVC - I have no idea where he went but that guy is fucking amazing. If you’re reading this ISVVC hit me up. This project is loosely based on the 1999 Columbine shooting - I found myself morbidly curious and falling down the rabbit hole of this event and the enormous ripple effect it had on gun violence in general. It is written from the self loathing, pathetic, and juvenile perspective of the shooters as they plan, carry out, and suffer the consequences of their actions. This project was my first step in to a more linear approach to story telling.
The writings of a tortured soul, in a tattered black leather book. From the very beginning, I was always
convinced that I was destined for something more. Even as a child I had large ambitions and grand desires -
I knew that I would not settle for mediocre. A life of mediocrity is what scares me more than anything, my
brain is literally wired towards thrill. However, thrill comes with its consequences; big ups lead to big
downs. EXISTENTIAL CRISIS is a project that resides in the middle of the big ups and downs, it lives within
the chaos, despair, joy, excitement, confusion, loss and rage that a thrilling life brings. It is grainy,
dark, moody, melancholic, ignorant, and aware all at once. It does not know what it is however it knows
exactly what it is at the same time; an encapsulated multimedia expression of the disconnection between the
mind and heart. From being on top of the world with two viral hits to dropping substantially and not seeing
the same results is damaging to the ego - but it was much more damaging to the soul, in a different way than
you may think. The high of those hits had me stuck chasing that feeling for two years, in turn leading me to
make and release art that I didn’t truly believe in, that wasn’t authentic to me. It was regurgitated
formulas used in a desperate attempt to match a feeling that is impossible to attain. At least with that
method. EXISTENTIAL CRISIS is different. It is raw, pure, and direct from my soul. It is what i think, feel
and breathe. It is me, showing what I’m capable of but expressing my vulnerability at the same time. It is a
letter to myself, a moment in time, and a step in a new direction. It is the removal of the veil in front of
my face, the removal of the thin glass wall between my supporters and myself as a human being. It reduces me
from a fictional character to a mere man. EXISTENTIAL CRISIS is flesh blood and tears. It is ink in skin,
scars, bruises, and blemishes. The art will reflect this sentiment. It will be unapologetically itself, a
cry for help in the dark. A helping hand that only I can lend, to me. There will be no gimmick, no ego, just
aggression, despair, grief and a fuck you to anyone who stands against me..
The writings of a tortured soul, in a tattered black leather book. From the very beginning, I was always
convinced that I was destined for something more. Even as a child I had large ambitions and grand desires - I
knew that I would not settle for mediocre. A life of mediocrity is what scares me more than anything, my brain
is literally wired towards thrill. However, thrill comes with its consequences; big ups lead to big downs.
EXISTENTIAL CRISIS is a project that resides in the middle of the big ups and downs, it lives within the chaos,
despair, joy, excitement, confusion, loss and rage that a thrilling life brings. It is grainy, dark, moody,
melancholic, ignorant, and aware all at once. It does not know what it is however it knows exactly what it is at
the same time; an encapsulated multimedia expression of the disconnection between the mind and heart. From being
on top of the world with two viral hits to dropping substantially and not seeing the same results is damaging to
the ego - but it was much more damaging to the soul, in a different way than you may think. The high of those
hits had me stuck chasing that feeling for two years, in turn leading me to make and release art that I didn’t
truly believe in, that wasn’t authentic to me. It was regurgitated formulas used in a desperate attempt to match
a feeling that is impossible to attain. At least with that method. EXISTENTIAL CRISIS is different. It is raw,
pure, and direct from my soul. It is what i think, feel and breathe. It is me, showing what I’m capable of but
expressing my vulnerability at the same time. It is a letter to myself, a moment in time, and a step in a new
direction. It is the removal of the veil in front of my face, the removal of the thin glass wall between my
supporters and myself as a human being. It reduces me from a fictional character to a mere man. EXISTENTIAL
CRISIS is flesh blood and tears. It is ink in skin, scars, bruises, and blemishes. The art will reflect this
sentiment. It will be unapologetically itself, a cry for help in the dark. A helping hand that only I can lend,
to me. There will be no gimmick, no ego, just aggression, despair, grief and a fuck you to anyone who stands
against me..
A collection of songs I created in the former office space of the business my homie’s parents owned. This project marked a change in my production - I was proud of how intricate the instrumentals were at the time and it captured a sound I had been looking to create for a long time. I had just turned 21.
A collection of songs I created in the former office space of the business my homie’s parents owned. This project marked a change in my production - I was proud of how intricate the instrumentals were at the time and it captured a sound I had been looking to create for a long time. I had just turned 21.